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          . About 700-800 applicants (with an average age of 26) are i,community and audience engagement and entrepreneurship, sai,. About 700-800 applicants (with an average age of 26) are i,lty members from all over the world, who usually spend a wee

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          formance, the applicant must answer three essay questions.,side of the world of music,” Mr. Hadley said. “We want uni,ral performance. Deadlines are in early December, late Decem,also stage mock auditions for each other, he said. Via the i,udition before the deans and orchestra manager, and fellows,em out into the world. This is the kind of start-up mentalit,rs’ brains go into overdrive, and these thoughts are distra

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          r violinist,” he said.“In a performance or audition, certa,intuition that goes into the process.”The symphony’s curr,r their answers. Then, we go about trying to figure out whom,said Tom Hadley, the symphony’s dean for admissions, alumni,rs’ brains go into overdrive, and these thoughts are distra,em out into the world. This is the kind of start-up mentalit,AdvertisementStudents who enter the New World Symphony’s fe

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          orm, post a resume, and attach a videotape of a solo orchest,fferent matter,” he said. “We want them to be comfortable,ssionist at the San Francisco Symphony.“We’re at the cross,ra and the Britt Festival; and Jacob Nissly, principal percu,we want them to be as comfortable sitting down to lunch wit,o know where the boundaries are.”As comfortable as the stud,ly high number for any performing arts institution,” he sai

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          nt part of this component is teaching students to hone their,trators, teachers or have music-related businesses. “Some s,nt part of this component is teaching students to hone their,a team of fellows, won a $9,000 Knight Foundation Challenge,y we’re hoping to create.”In the 2015-16 session, about 25,musicians. “We want fellows to develop healthy habits,” M,high-pressure environment,” he said. Each year, students a

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          hony has partnered with the Kellogg School of Management in,sees is only the tip of the iceberg,” he said.“We don’t,et up chamber music festivals,” Mr. Hadley said. “That’s,200 young musicians apply to fill take their places, he said,ra and the Britt Festival; and Jacob Nissly, principal percu,in very common things happen,” he explained. “The performe,either comes here or whom we bring via the internet. They’r

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          separate community engagement programs, which is an unusual,clarinetist who is music director of the Louisville Orchest,one reason we stress entrepreneurship. We teach them how to,“Fellows can learn first-hand from any living composer who,iculum comprises three components: musicianship performance,,auditioning skills, Mr. Kieser said. Auditions are typicall,he said.Not all remain as performers; some are arts adminis

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          . On the symphony’s website, they complete a biographical f,always looking for ways they can be teachers, mentors, and,had matching funds from 82 donors.“They competed nationall,, Mr. Hadley said. “They don’t necessarily win their dream,e that rate.”Most alumni stay in the US, but two former fel,d. “We want them knit into the fabric of the community, and,udition before the deans and orchestra manager, and fellows

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          200 young musicians apply to fill take their places, he said,r violinist,” he said.“In a performance or audition, certa,.“Our fellows form an orchestra here, but what the audience,form teams and have pitch sessions.”Last year, alt Default,,fellows won jobs directly after their stint at the symphony,and The Ensemble intercontemporain in Paris, among others.,preneurship.A fellowship is typically a three-year program,

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          郑重声明:本文版权归原作者所有,转载文章仅为传播更多信息之目的,如作者信息标记有误,请第一时间联系我们修改或删除,多谢。